It is free.
This App tracks for you, automatically, the best people around you who could be a potential business or artistic partner. ClosApp sends you a notification when someone within 500 meters around you matches who you are looking for in the entertainment business ! Your pro-match also receives a notification : you just have to get in touch and meet.
1.
Download the App now : Google Play and Apple Store.
2.
Import your Linkedin profile or Set Up your profile.
The more details about you as an artist, your skills, the better the App will match you with others.
3.
Affiliate yourself with the“PAMA – Paris Art and Movie Awards” event.
– Click on the Agenda (icon on the right) > Recherche > Evénements > Click on the pencil to open suggestions > Pick “PAMA – Paris Art and Movie Awards”
BENEFITS OF USING THE APP
– Easiest way to connect with fellow filmmakers and potential future business partners
– Use the App to get in touch with fellow filmmakers before, during and after the festival
– Use the App during the networking events.
– Stick with the App later as it will be part of the Alumni network.
– Create, expand and manage your network
– Discover other events and festivals using the App (check Motion Pictures and Film category)
– Privacy is 100% respected : our email is not share, the App includes a secure messaging system.
The movie is listed 3 times in competition for the 2018 PAMA for :
– Best Director of Photography
– Best Editor
– Best Actress
PITCH : A prisoner within her own body, Adelina feels the weight of the Ballet world suppress her as she is tortured by injury. Behind Barres follows fragile Adelina and her battle to succeed as she begins to detach from reality. Slipping in and out of her subconscious mind and the real world, she must learn to fight her demons in order to discover her inner strength.
Festival’s appreciation :
“BEHIND BARRES is a beautiful journey in the heart and doubts of a ballerina, directed as a narrative with a clear and smart mix of experimental dreams. You could see some “Black Swan” and “Requiem for a Dream” in this, but only with no violence at all except the fear the character has in herself.”
HIGHLIGHT :
Behind Barres is a film about a dancer. It is a full narrative with a script and a cast. We strongly felt the choregraphy is part of the narrative but the point is the character, not the dance. It happens the character is a ballerina, but the movie is more than that.
This is why the film is nominated to 3 other categories but does not compete to the dance film category.
“Behind Barres is primarily inspired from my own experience of moving away from home and studying full time Ballet throughout my teenage and early adult years. As the gruelling world of Ballet began to overcome me, I found myself crippled with injuries while I watched my dreams disintegrate. I am extremely passionate to share my story through this film. I dedicate it to all the young dancers suffering through injury, who must find their inner strength in order to succeed.
Pursuing the study of Dance Film, for the past three years at the Victorian College of the Arts, I have been developing my own unique style of combining the genres of Drama and Dance on screen. The intention of the film was to combine the real world in juxtaposition with the subconscious in an abstract way.
I aimed to capture the raw moments of vulnerability that I had once endured through my injuries. In order to express this authenticity from my past and translate it to the screen, I began the gruelling process of digging through the vaults of five years of journal entries. This is where the writing process began. I wanted to take the dreams and metaphors that I had felt and combine them into the real world in an abstract way. For example, by using the glass cube as the metaphor for being stuck and unable to break free.
These Journal entries also became a key part of my choreographic process, with Tizana Saunders. Being Tizana’s debut to the screen, we used the Journal entries through improvisation tasks to organically assist her to connect with the role of Adelina.
“To be a prisoner within one’s body is perhaps the cruellest kind of suffering” Behind Barres is a film dedicated to all dancers who cannot see the light at the end of the tunnel. A film to inspire and remind dancers that ‘you are not going through this alone’.”
Director Biography – Sophia Bender
Sophia Bender is an Australian Dance Film Maker.
Leaving Tasmania at the age of 16, Sophia moved to Sydney to pursue her passion for dance, studying full time ballet for two years at The McDonald College. She then studied at the Western Australian Academy of Performing Arts (WAAPA) for three years where she completed an Advanced Diploma of Dance (Elite Performance). While studying at WAAPA Sophia endured many injures and this is where she discovered her passion for Dance Film Making; using this medium as a creative outlet.
Completing her Bachelor of Fine Arts at The Victorian College of the Arts (VCA) in 2017, Behind Barres is Sophia’s Graduating Film. Her Second Year film I’m Not Hearing You, was in the Official Selection of Newport Beach Film Festival, North Hollywood CineFest (Nomination for Best Student Film) and was given an award of recognition for Cinematography, Experimental Short and Lead Actress at the Hollywood International Moving Pictures Film Festival, in 2017. Sophia aims to be a pioneer for Dance Film Makers in Australia.
“Being hugely passionate in this niche area of film making, I would love to see it expand in Australia.”
Directed by Van Chriqui
Produced by Van Chriqui vand Ekaterina Bourindine.
CAST :
Alan godying, Yam wolczak, Maor Maman, Jonah kozlovsky, Amit elimelech, Ben mizrahi (Brick Models Agency).
CREW :
Ekaterina Bourindine : cinematographer.
Eliran Nargassi : fashion
ISRAEL
The movie is listed 2 times in competition for the 2018 PAMA for :
– Best Visual Art in Motion
– Best Director of Photography
PITCH : “Uno sense“ is a story about a child that was born with a significant role in a mysterious sect.
The story follows the child’s life , reveals the ambivalence of being a child with such a heavy role on his shoulders, so protected, sacred and loved, but paying the price of solitude and isolation.
Choreographer/movement director and a professional Dancer.
Van is a former dancer at the “Nadine Animato Theatre Dance Company “. Also costume designer, former owner of the active wear brand “Tender Black- Fabric & Motion“.
She choreographed fashion shows, among them for the brand Each x Other in Paris in 2017.
“Uno sense “ is her first film as a director, collaborating and creating it with Ekaterina Bourindine.
The movie is listed 2 times in competition for the 2018 PAMA for :
– Best Animated Film
– Best Director
PITCH :
A girl at the zoo forms a connection with a caged panther and sees how it would be if the animal was free in its own environement. The film is inspired by the poem “Der Panther” by Rainer Maria Rilke.
Festival’s appreciation :
“The movie is so aestheticaly beautiful it is the first time an animated film is nominated as best director at the PAMA. It’s a moment, a polaroïd, a memory or a fantasy. For everyone’s inner child.”
HIGHLIGHT :
First time female filmmaker and student directorial debut.
I was born in Valdagno, a town in the north-east of Italy. After studying classical leterature in highschool I decided to follow my passion for art and attend the Academy of Fine Arts of Verona where I studied set design for theatre. During my exchange program at the Marmara University of Istanbul I decided to pursue a career as 2D animator. I graduated magna cum laude bringing a traditionally animated film as my final project. In 2017 I attended the classical animation program at Vancouver Film School from which I graduated the same year, bringing the short film The Panther as my final project.
Produced by Anthony James Faure, Antony Renault and Florent Larriven
CAST :
Robin Betchen as “Arno”
Andrew Tisba as “Mo”
Cyril Durel as “Le Vairon”
Éric Chantelauze as “Ratjev”
FRANCE
The movie is listed 3 times in competition for the 2018 PAMA for :
– Best Feature Film
– Best Actor Éric Chantelauze
– Best Production
PITCH : Two nobodies find their ticket to the Parisian Golden Youth parties in the form of a bag filled with drugs, leading them in the mayhem of a rough police investigation.
Festival’s appreciation :
“It’s a character’s quest, it’s a fight, it’s a journey for these kids to rise from the dark side of the Paris’ pavement to try and reach their dreams. Through bad choices, luck and reality, the directors tell a story of freedom in their own way. A directorial debut to watch.”
HIGHLIGHT :
It’s not the Gorillaz song but it could be. Producer / director Anthony Faure jumped from short film to his feature directorial debut on his own. A couple of friends, a crowdfunding campaign, and a lot of energy to show his abilities to make a full length film. Independent, new players in the game, KID WITH GUNS’ team is to keep an eye on, for sure.
